Everybody hates racks. I hate racks. I rack hats. Iran hats are alright but when it’s summer and the heat gets to your brain, sometimes, you have to settle for less.
Settling for less is the most recent lesser unsettling theme in Part-Time Job Work Lord King Demon.
We all remember the Indian Act, 1876′s effects on Canada, right? Well, that doesn’t actually matter because Ente Isla isn’t Canada and Sa~tan isn’t an Indian. No sir, he’s merely a representation of an
Indian native American, excuse me. So who is Emilia?
Emilia, like Sa~tan, is an outcast. Thrust into conforming to society’s inflexible norms, her mutual ‘alliance’ with Sa~ represents the INDIAN CONFEDERACY and their mutual support in the face of the White Man’s encroachment. Eventually, they failed because they were already croached, and as everyone knows, once croached, always encroached.
What is cultural assimilation? It’s a concept that many people intimately don’t give a toss about, and neither should you. Unfortunately, you’re dealing with Hataraku Maou-sama! (literal translation: ‘Demon Lord-customers work!), one of the most profoundly insightful, cultured, and reflective Chinese cartoons of April 2013.
The main character, Sa-tan (-tan is a endearing suffix in Japanese, and to pursue O-New’s policy of conservative liberalization, shall be henceforth redacted to -y, a corresponding English endearing suffix), is a stranger in a strange land. Say says yes to strangers’ strange sayings in strangeland.
To observe his gradual assimilation into strangeculture, we have three useful metrics:
1) The amount of strangespeech Say says;
2) The amount of strangegovernmentsupport Say receives;
3) And the amount of strangefood Say eats.
Obviously, Say has been completely
Americanized I mean Eurocentrized uh Japanesified ASSIMILATED. This assimilation makes Say’s ass similar to other nations’ asses.
Maoyuu’s entire selling point is ~economics with boobs~.
Add maids into the mix and everyone’s happy.
Except, no, not really. Do maids have any significance in the situation’s context? They’re a good comparison of modern employment vs. serfdom but no, not really. Take away the maids and nothing’s left out. The maids are an accessory: nobody dislikes them, but they’re practically useless.
Similarly, all the fanservice around Maou is practically useless. Fanservice not being all ~boobs~, but also her moé attitudes towards Yuusha. Did we need that hour-long sofa scene? No. Did we need that hilariously dull body-pillow scene? No.
But they’re aesthetically pleasing. They’re the spoonful of sugar that makes the medicine go down, and the medicine is ~economix~.
Maoyuu is just a glorified economics textbook. This isn’t rocket science. Someone (can’t remember who, tell me if you remember) once said: “Spice and Wolf is about characters, with some random economics thrown in. Maoyuu is about economics, with some random characters thrown in.”
Like a textbook, the author wraps Maoyuu in bright pictures and colourful ‘real-world’ examples that drive up production costs a thousandfold. Like a textbook, Maoyuu is just a lecture transposed into another medium. Like a textbook, Maoyuu also suffers from masterful pacing: serf girl mutters, sotto voce, “You’ve never been starving, have you?” Cut to comedy music. Let’s imply that starving serfs is totally a joke! Yeah! (That said, who would want to starve half-servile labour? That’s a recipe to losing money, fast…)
Unlike a textbook, we’re not in an economics class. We don’t need to learn this. Is Maoyuu actually doing a public service? Is Maoyuu an educational anime?
Yes, yes to both. Sure, it’s patronizing 1984-ish (actually manipulating the war so that ending it will be easier?) ~COMMUNISM~ crap, but short of Moshidora, the edutainment doesn’t get much more obvious.
Maoyuu is an educational anime through and through. Nothing else.
I can’t tell whether this is mocking traditional shounen tests or what because why the hell do you need a test to enter a dormi-oh right she’s insane. and moe. the simpsons moe.
Having him enter a student dorm is about the laziest way to introduce more quirky characters (cause everybody else is normal/rich and rich people aren’t fun to be around) ever. The only thing worse is if some autismal savant came into the picture and trust me that was baaaaaaaaaaaddd. d d d. d.
It’s also a convenient way to shape Megumi into becoming a childhood-friend-type, but she should have friends after three years in middle school, compared to Souma, whom nobody likes. Or licks.
if god is omnipresent then
P.S. I didn’t need to see that pirate picture at the end. Nor the granny flashback. At least the metaphor was a flashback and not… what it usually is ._.
P.P.S. There was relatively less fanservice here than before. I guess the shower scene was supposed to be humorous at first but now, I really don’t understand why anybody would add one except because it’s such an ingrained anime icon. It’s really just pervasive and customary toilet humour.
P.P.P.S. Souma is secretly a GT Robo. his only energy source is the souls of dead squids. when he bleeds he bleeds black ink
What a way to start off the new year! The symbolism behind rewriting a ST&RS post for New Year’s is that at O-New, the new year’s going to bring upon us the same fate as ST&RS: a slow, painful death from neglect, disinterest, and creative stagnation!
Here’s a picture of Shirafune farting.
The timeline is still really strange in Steins;Gate. How can Rintarou get the IBN5100 if he’s already met Suzuha? Think about it:
1975: nothing happens
2010a: Rintarou doesn’t have the IBN5100
2010b: nothing happens
2012: SERN takes over world
2038: Suzuha goes to 2010b, creating Timeline 2
20XX: world at peace
1975: nothing happens
2010a: Rintarou doesn’t have the IBN5100
2010b: Suzuha goes to 1975, creating Timeline 3
2012: SERN takes over world
2038: Suzuha goes to 2010b, creating Timeline 4 (which is the same as Timeline 2)
1975: Suzuha gets the IBN5100
2010a: Rintarou has the IBN5100
2010b: nothing happens
2012: nothing happens
2038: nothing happens
20XX: world is free
The key point is that when Suzuha goes back to the past in 2010b and in 2038, her two travels make two different timelines. The line that would lead to their success is created when she travels back to 1975. There’s no reason why her travel back to 2010b takes her to the same timeline. Then again, a story about Timeline 3 would be as boring as watching paint grow on a grassy wall, so it’s forgiven.
P.S. What is Reading Steiner? If anybody stuck their memories in the time machine, they would be able to retain their memories through world lines—because it’s not their bodies travelling through time, it’s the information. If, say, Mayuri used the time machine to implant Rintarou’s future memories into herself, she’d not only travel through time, but would inherit a different identity! That would’ve been an interesting device for, say, Kokoro Connect…
Ah, competition. It’s funny because this school really isn’t about learning—just like universities. If people didn’t need degrees to get a good job, would any non-academics go to university? It’s all about the prestige of graduating—and the fewer people who graduate from your institute there are, the more prestigious their status becomes.
also it’s the only way to write a shounen manga so
The greatest part of Steins;Gate was its climax, when Rintarou did all sorts of crazy shit and it all connected back to the beginning like some bizarre circular argument typical of time-bending tales.
The greatest part of Boukan no Rebellion is its climax, when Daru did all sorts of crazy shit and it all connected back to… things.
What I’m going at is, Boukan no Rebellion focuses on Suzuha and so her most emotional moment was finding her father. Mayuri’s train of logic was executed well and there was no dearth of cheesy/teary goodbyes, so I guess it was a good scene.
That is, IF THE ART WEREN’T SO *~QUALITY~*
itt: fanservice in my moe manga?! *grumble grumble*
the enemy’s gate is down
also there IS NO GRAVITY IN SPACE WHY DOES THEIR HAIR GRAVIT-right, centrifugal ‘force’
TWIST ENDING: NEURONS REPRESENT UNIVERSE, ENTIRE MACROVERSE EXISTS IN MAHO
itt: 7 month timeskip. THE RACE TO CONCLUDE BEFORE THE AXE AT 39 BEGINS~
P.S. what is characterization ??????
Now, I love the scanlators (Easy Going Scans) for scanlating this manga because it’s so bloody awesome, but they really are easy going when you see things like this…
Then again, there’s hardly any competition on the manga scene, compared to the autismal levels of fagsubbing, so… quality is based on dedication to the source, not to the legions of adoring
The main selling point of Gangsta isn’t in ‘its unique world, where swords and bullets clash!’ (face it, that’s not very unique at all). Gangsta’s strength lies in its characters; each of them has unique motivations, backstories, and relationships. Most importantly, these all change throughout time, especially between Worrick and Nicolas during the flashbacks. How they befriend each other at the end is still unknown…
I’m not even sure if Worrick’s eye really is gone. Maybe he’ll pull a Kenpachi on us and reveal that his eyes have magical abilities that allow him to memorize everything it doesn’t see. Wait a minute…
Another cool thing about Gangsta are that the protagonists are grown men, like in Fate/Zero, except with less stupid motivations. They’re mature. They don’t angst around about the past; they move on, and when their past comes to haunt them back, it’s because holy shit these are really traumatic stuff that’s happening.
The only thing bad are the boob jokes, cause she’s a prostitute and yeah. Dark and edgy.
AHHHHHH HIS DAD IS DED
It’s starting to get confusing now. I would write the plot out for you guys but nobody’s reading this and I don’t understand it myself; even marathoning 4 chapters (ok, that’s not a marathon) hasn’t helped. There’s that great Black Lagoon/Roanapur feel again with the four heads actually meeting, so all we can do is pray that the big bad of this arc isn’t some contrived rape survivor again… (not that I remember Black Lagoon having any of those)
Himiko’s voice actress sounds like she hasn’t slept for three days and just wants to get this over with so that she can go home. People don’t shout like that, OK.
P.S. ‘rape’ doesn’t count as character development sorry
P.P.S. no she just said ‘get away from me’ in japanese mr. yuu kenot sbeek so shud ab
P.P.P.S. sena, blonde, boobs, etc.
since himiko’s not in this episode have an obligatory half-naked guy
p.s. fourteen-year-olds aren’t that short, though some may be that smart and psychotic
p.p.s. i was wondering if they would wear the same clothes forever, but the kits all have different things – sunscreen, flashlights, pots (for instant noodles), extra shirts, etc. maybe there’ll be big kits with water purifiers, fishing rods, and matches, or kits with y’know REPLACEMENT BIMs
p.p.p.s. four months in the future: everybody runs out of BIMs, guy with survival knife wins because nobody else has anything sharp
Not sure how sonar/radar works when you’re in a dense jungle… do radio waves go through trees?
Why can’t I hold all these BAGudans?!
Status: lol Blogging