HowToMeaning
We explored a bit about different interpretations (meanings, analyses) in some previous posts. I might post a follow-up later if I have the time.
Now, we’ll move on to discussing /how/ we actually arrive at these meanings.
In the study of knowledge, epistemology (I did last year’s science fair project on that! I got 60% on it!), there are two main ways to acquire knowledge: a priori and a posteriori knowledge. One of these two types of knowledge is the name of someone in Catch-22, and so I vividly remember it due to hours of rolling on the ground laughing at how stupid the name was and how painful rolling on the ground laughing is. I would roll on the ground, laugh, and then laugh at my past self being in pain from rolling on the ground laughing. It was an odd activity.
Anyways, a priori knowledge is things you learn from prior knowledge. For example, knowing that the angles in a triangle add up to 180 degrees, that a right-angle triangle has one 90-degree angle, and that two angles are equal in an isosceles triangle, you know that a right-angled isosceles triangles’ angles are 45 degrees, 45 degrees, and 90 degrees.
A posteriori knowledge requires experience. You wouldn’t know who the current King of France is a priori; you would have to find that out (there is no current King of France!). You wouldn’t know whether you could play piano or not before testing it. You wouldn’t know that Life of Pi was a movie about the Life of Pi without knowing that.
The difference is like the difference between physics and math: physics isn’t useless um, knowledge of physical laws come a posteriori, whereas applications of those laws to situations are a priori knowledge. If you were Helen Keller, you would still be able to receive a priori knowledge, but not as much a posteriori knowledge. Well, Helen Keller did, but she’s HELEN KELLER and you’re not.
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So, what does this have to do with meaning?
You see, whenever we experience literature, be it a book, a play, an anime, a long-winded incomprehensible puerile diatribe by racist prepubescent teenagers on YouTube, we experience literature. The knowledge we gain is a posteriori.
But after the experience, when you think about it in your brain, you are acquiring a priori knowledge. This is when you synthesize the experiences you’ve received to form a coherent (or incoherent if you’re like me) picture of the meaning you got from it.
But does this actually count as acquiring new knowledge? Here’s my question to you. Is it possible to acquire all your meanings of literature a priori? What would happen to somebody who never experienced others’ reactions to literature, but only the raw work of art itself?
What’s better? Meaning through self-reflection, or meaning through discussion? You can reflect on this or discuss it; just don’t be too mean.
LOLLIPOPS
I CHALLENGE ANYONE HERE TO PLAY THIS AT NORMAL SPEED. I also challenge anyone there and anyone not here, as well as people who can’t hear/are bears/rare hares
(Sorry for lack of comeback post so soon after new season. I just watched some episodes of Maou something something which marks the first episode of anime I’ve watched in like four months or something. Currently busy with district science fair stuff but that’ll be over tomorrow.)
Musikalisches Bilderbuch, No. 5 Weisse Und Schwarze Tasten II
According to the German Wikipedia, István Szelényi (no, don’t ask me how to pronounce that) was a not-German and yes-Hungarian pianist and composer, born in 1904. He studied at the Budapest Academy of Music and liked performing and editing Liszt cause they’re both Hungarian and hungary for the satiater that is ~romantic music~. Except Szelényi had “the drive to write a tonal and intelligible, while contemporary music close.” Which means that he was actually an expressionist.
He composed Musikalisches Bilderbuch (Musical Picture-Book) in 1967, just 5 years before his death at 68 years old. This Reliable Source (totally not copied from German Wikipedia) suggests that Musical Picture-Book “is one of the most stimulating educational collections of piano music of the 20th century.”
So why does nobody have a numbered song list of it?!
Le Pianiste Virtuose en 60 Exercices, Nos. 44 – 60
Coming Soon!
Organ Music
I’m currently in Philadelphia, staying at my uncles’ place. They have a pipe organ. They both play it. It’s pretty damn awesome. And so, I have discovered organ music. Here. Have a Tocatta and Fugue in D Minor (probably the most famous organ piece there is).
Queen’s Blade Post Mortem
I recently watched all of Queen’s Blade: Rebellion with a group of brave souls. I’m happy to say that we made it through the watch relatively unscathed, though it should be noted that PTSD sometimes takes a while to manifest. After each viewing we attempted to decipher the greater meaning of Queen’s Blade in a colloquium work that was posted on Draggle’s blog. Once we’d finished, both John Sato and Draggle had their final say on the matter. This will be mine.
Real First Post
Alright… so this is the real first post…!
If you are reading this, post a comment below, so that I know how many people there are who are reading this… (well, that was a bit too obvious…)
This is being posted far earlier than I scheduled it to be; the reason is because of a survey (that I have unfortunately been spamming many places with) that I have to conduct for a school project…
I am now in the process of spamming this link instead, as it is easier to type, and can also fit into a tweet.
If you are seeing this right now, I probably spammed your forum/thread/inbox, and then you chose to come here.
This is purely a test post; this is to see how many people will come…
Please, tell other people that you know to come here too; I will update somewhat daily…
The next post (tomorrow or something) will contain the details of the actual survey.
Until then, entertain yourself with these links:
http://mushyrulez.myminicity.com/
http://www.kongregate.com/games/kingk/dream-world?kv_refuid=71799?refferer=Mushyrulez
Thanks for visiting, check back tomorrow pl0x…!
-Mushy