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Posts tagged “Animanga

Hate a rack Maou-sama 2

Everybody hates racks. I hate racks. I rack hats. Iran hats are alright but when it’s summer and the heat gets to your brain, sometimes, you have to settle for less.

Settling for less is the most recent lesser unsettling theme in Part-Time Job Work Lord King Demon.

We all remember the Indian Act, 1876’s effects on Canada, right? Well, that doesn’t actually matter because Ente Isla isn’t Canada and Sa~tan isn’t an Indian. No sir, he’s merely a representation of an Indian native American, excuse me. So who is Emilia?

Emilia rhymes with Ente Isla. THIS MUST MEAN SOMETHING

Emilia, like Sa~tan, is an outcast. Thrust into conforming to society’s inflexible norms, her mutual ‘alliance’ with Sa~ represents the INDIAN CONFEDERACY and their mutual support in the face of the White Man’s encroachment. Eventually, they failed because they were already croached, and as everyone knows, once croached, always encroached.

Reached roach roast»


Hataraku Maou-sama! 1

Cultural assimilation.

What is cultural assimilation? It’s a concept that many people intimately don’t give a toss about, and neither should you. Unfortunately, you’re dealing with Hataraku Maou-sama! (literal translation: ‘Demon Lord-customers work!), one of the most profoundly insightful, cultured, and reflective Chinese cartoons of April 2013.

The main character, Sa-tan (-tan is a endearing suffix in Japanese, and to pursue O-New’s policy of conservative liberalization, shall be henceforth redacted to -y, a corresponding English endearing suffix), is a stranger in a strange land. Say says yes to strangers’ strange sayings in strangeland.

To observe his gradual assimilation into strangeculture, we have three useful metrics:

1) The amount of strangespeech Say says;

2) The amount of strangegovernmentsupport Say receives;

3) And the amount of strangefood Say eats.

Strange food is actually composed mainly of strange quarks, which are like normal quarks but they're American.

Obviously, Say has been completely Americanized I mean Eurocentrized uh Japanesified ASSIMILATED. This assimilation makes Say’s ass similar to other nations’ asses.

Donkeys are actually extirpated in Ente Isla»


ST&RS 31

I can’t get over how their first reaction is, “HOW DO THEY KNOW SHIRAFUNE’S NAME?!?!” and not, “WHOSE SKIN ARE YOU WEARING!?!?”

Then again, even now we can’t understand other animals’ communication (maybe rats, but they’re the exception), so maybe it is a big achievement to a civilization that can create magical wasp tornadoes and TELEPATHICALLY CONTROL MIKURA’S VOICE.

public enemy number 1

I also like how the alien has a Japanese name and how its graphemes, by similarity, are phonemic and thus Japanese. This is conclusive proof that the Japanese are ACTUALLY ALIENS. They even look the same!

tl;dr: actually all of the alien’s limbs are highly sensitive penii

P.S. plot twist: the aliens are actually malevolent galactic pornographers, the true aliens who sent the kids THE POWER OF THE GALAXY was actually former prime minister Junichiro Koizumi, who remains alive on the moon even into 2034.


Maiyuu Maid Yuusha 2

Maoyuu’s entire selling point is ~economics with boobs~.

Add maids into the mix and everyone’s happy.

this is a picture of a witty line

Except, no, not really. Do maids have any significance in the situation’s context? They’re a good comparison of modern employment vs. serfdom but no, not really. Take away the maids and nothing’s left out. The maids are an accessory: nobody dislikes them, but they’re practically useless.
Similarly, all the fanservice around Maou is practically useless. Fanservice not being all ~boobs~, but also her moé attitudes towards Yuusha. Did we need that hour-long sofa scene? No. Did we need that hilariously dull body-pillow scene? No.

But they’re aesthetically pleasing. They’re the spoonful of sugar that makes the medicine go down, and the medicine is ~economix~.

Maoyuu is just a glorified economics textbook. This isn’t rocket science. Someone (can’t remember who, tell me if you remember) once said: “Spice and Wolf is about characters, with some random economics thrown in. Maoyuu is about economics, with some random characters thrown in.”

Like a textbook, the author wraps Maoyuu in bright pictures and colourful ‘real-world’ examples that drive up production costs a thousandfold. Like a textbook, Maoyuu is just a lecture transposed into another medium. Like a textbook, Maoyuu also suffers from masterful pacing: serf girl mutters, sotto voce, “You’ve never been starving, have you?” Cut to comedy music. Let’s imply that starving serfs is totally a joke! Yeah! (That said, who would want to starve half-servile labour? That’s a recipe to losing money, fast…)

Unlike a textbook, we’re not in an economics class. We don’t need to learn this. Is Maoyuu actually doing a public service? Is Maoyuu an educational anime?

Yes, yes to both. Sure, it’s patronizing 1984-ish (actually manipulating the war so that ending it will be easier?) ~COMMUNISM~ crap, but short of Moshidora, the edutainment doesn’t get much more obvious.

Maoyuu is an educational anime through and through. Nothing else.


Btooom! Manga Quarterly Review 4

Hi guys. I’m really late on this because I had this as a draft for one and a half months.

Btooom! has a manga. I’ve followed it for one and a half years.

Btooom! also has an anime. I’ve followed it for one and a half months.

Thus, if you’re following the anime, there will probably be spoilers ahead; however, this is a shounen battle manga – you know that Sakamoto’s not going to die, and spoilers shouldn’t affect you at all. Unless you’re a 14-year-old psychotic teenager with a penchant for ravishing dead bodies. In which case you might be (excusably) shocked at my profoundly astute recognition of your identity:

(That said, a 14-year-old who isn't a teenager would be quite strange...)

Teenagers AREN’T THAT SHORT»


Courage in Tamako Market 3

[MUSHYHIJACK: I have rescheduled this post to clear January 13th – February 15th of any posts. The original posting date was January 25th.]

Imagine for a moment that the simple things in life become the most difficult. Everything is turned upside down. What if it were easier to be cold and distant than to be warm and friendly? What if saying “thank you” felt unnatural and impossible?

(more…)


Soumoe of the Beer Halberd 6

I can’t tell whether this is mocking traditional shounen tests or what because why the hell do you need a test to enter a dormi-oh right she’s insane. and moe. the simpsons moe.

IP

Having him enter a student dorm is about the laziest way to introduce more quirky characters (cause everybody else is normal/rich and rich people aren’t fun to be around) ever. The only thing worse is if some autismal savant came into the picture and trust me that was baaaaaaaaaaaddd. d d d. d.

It’s also a convenient way to shape Megumi into becoming a childhood-friend-type, but she should have friends after three years in middle school, compared to Souma, whom nobody likes. Or licks.

if god is omnipresent then

god’s tongue

is watching

YOU

ah

P.S. I didn’t need to see that pirate picture at the end. Nor the granny flashback. At least the metaphor was a flashback and not… what it usually is ._.

P.P.S. There was relatively less fanservice here than before. I guess the shower scene was supposed to be humorous at first but now, I really don’t understand why anybody would add one except because it’s such an ingrained anime icon. It’s really just pervasive and customary toilet humour.

P.P.P.S. Souma is secretly a GT Robo. his only energy source is the souls of dead squids. when he bleeds he bleeds black ink