…That’s a mouthful.
Anyways, for, like, two weeks, I thought Bleach was going to end, so I was about to make a post about it ending…
…but it didn’t. DAMMIT KUBO MOTHERFUCKING AIZEN IS MOTHERFUCKING IN PRISON FOR TWENTY FIVE MOTHERFUCKING THOUSAND YEARS ALREADY, AND ICHIGO’S LOST ALL OF HIS MOTHERFUCKING SHINIGAMI POWERS. NOW WILL YOU STOP STOP STOOOOOOOOOOOOOOOOOOOOP THE MADNESS?!
Next up, I recorded another recording of something, but THE CAMERA DIDN’T CATCH MY DYNAMICS, which was the ENTIRE POINT OF THE PIECE. Oh well, I guess I can re-record it again…
Finally, a day after I recorded the dynamic-fail piece, I recorded this; on October 23rd, to be precise. My computer was still dead then, so what else to do with my time?
There are numerous mistakes here as well, but my camera (yet again, I place the blame on something else) is set on one side of the piano, so the place where I wanted less volume to be actually got increased more in volume.
I probably rushed this as well; it’s supposed to have much more of a ‘harp’ sound, as it’s actually written for either piano or harp. You can play this on a harp. Yeah.
Sergei Sergeyevich Prokofiev was born in 1891 in Russia. Not SOVIET RUSSIA because that wouldn’t exist until Prokofiev became 26.
Anyways, from a young age, Prokofiev began demonstrating his ability to be superior over everyone else. When he was nine, he wrote an EPIC OPERA, first performed in NINETEEN OH ONE by SOME PEOPLE for an audience of SIX.
He obviously entered a prodigious musical academy while being considerably younger than the other students, and demonstrated a extreme passion for mus(ry
…His first major work was for the famous impresario Diaghilev, the very same who commissioned Stravinsky’s three Ballet Russes Ballets (Petrushka (F# MAJOR GO GO), L’Oiseau de Feu (the Firebird), and Le Sacre du Printemps (the Rite of Spring)), the Chout ballet.
Eventually, SOVIET RUSSIA began to appear and socialize much of Russia’s art forms; his experimental, modern tones had to move to San Francisco.
After the first world war was over, he returned to Russia to much more favourable conditions. However, Prokofiev died on March the 5th, 1953 – the same day as Joseph Stalin.
As an aside, because everyone was SAD about Stalin’s death, they couldn’t carry Prokofiev’s body out for the funeral until the 8th.
His Opus Twelve is a collection of 10 works for either piano or harp, each one being completely different from the others (e.g. Number 5 is ‘Caprice: Allegretto capricciosamente’). It was composed between 1906 and 1913, and had its premiere in 1914. Number Seven (this one) is the ‘easiest’ to play…
Anywho, Prokofiev was an awesome man. I mean, anyone who composes anything that has a title like ‘The Love for Three Oranges’ has to be awesome.
[EDIT: Well, whaddya know? Parental controls backfired, meaning that not even my parents can access the computer (where I store my music) anymore, until 4:00. Naturally, you can bypass the time restrictions by modifying the system time in BIOS startup settings, but I can’t tell them that :P So yeah. No composition. Canada Day tomorrow so I’m going to be celebrating, and I’ll update this with the final composition when I get it done. This also means I didn’t meet the deadline, but… well, that’s life.]
Thanks for all your help; this is the final copy (including the .mus! If you wish to use this for any purpose other than listening (e.g. showing other people, attempting to play it which is basically impossible as noone will want to), email me at firstname.lastname@example.org just cause I want to know).
As for composing, I’ve definitely learned some very important things.
One – NEVER, EVER USE SUCH A HUGE ORCHESTRA EVER AGAIN. The torture of it was too much for me to bear, modifying each instrument against each other. And the font is impeccably tiny.
Two – I don’t know counterpoint. So, I shall learn counterpoint. Königliche März was based not on the individual melodies of each instrument, but on a basic chord structure and additions to it. Because of that, it sounded quite hollow.
Three – I have infinite time. Not infinite time, but I take on so many useless items that if I needed to do something, I will finish it. I could probably finish a month-long project in two days (which I have done before) if I don’t do anything stupid, because I waste /that much/ time.
Finally – COMPETITIONS ARE FREAKING ANNOYING AND SO IS FREAKING PERCUSSION (research things before doing stuff!)
But wait, mushy, why are there two posts today?
Well, today (GMT-wise) is July the First. What does that mean?
It means that Summer has officially started.
Not only does this bring good news for anime fans, but it also means we have time to blog, twice a day (we have four bloggers now).
On a related note, thanks to my obsessive following of comment feeds, I have found an interesting plugin that may or may not work. This allows us to see who’s actually writing my post and thus kill the “MUSHYHIJACK” tag, even though that was pretty fun >_>
Second announcement: Maplestory has an event. Though I knew about it a long time ago, I was busy composing worthless crap so I couldn’t participate. Anyways, it ends on the 13th, and that means that I should try to get to level 40 from level 0 to get some awesome limited-edition item. I can maple 7 hours a day, so it should go smoothly enough (for those who remember my Evan excursion).
And, yeah. Enjoy your Summers everyone; I’ll update (cause I still haven’t watched them!) DRRR and AB with their final posts soon, but probably not tomorrow as I’ve got forums to catch up to~ (Oh, and buying items because of HST starting tomorrow >_>)
[System: For shameless promotional reasons, I have updated the left hand column! RSS and Email feeds are now on top! Feedback on whether this is better would be… appreciated. For some reason I have two RSS feeds, one at the top and one at the bottom but that shouldn’t matter. Two RSSs generate twice the visitors~]
I’m back. I’ll make announcements and other stuff in the next post cause now all I’m thinking of is compose compose compose rewrite rewrite rewrite delete delete delete compose compose compose. But there’s still links at the very bottom of the page as I’ve been away for so long :/
So, this is my second composition, like, ever, so it sucks. It’s titled “Königliche März ~ And Then the Sun Came Out” (but Finale and windows don’t support the ö and ä characters).
.mp3 (high quality)
.mid (really poor quality but tiny size)
.pdf (if you can see the notes >_>)
It’s for a composing competition, else I’d never attempt something this stupid.
So why does it say draft? Because, it’s just that – a draft. The final version will be published, uploaded, and submitted in 6 hours :/
Königliche März should mean “Royal March” or something-or-other in German. The mood doesn’t feel like that AT ALL so whatever :< If anyone knows German, please correct me.
So yeah, here’s individual instrument analysis. If you want to help me on anything (and I’d appreciate that very, very much), please comment below or on whatever forum you came from, or by email (in contacts page). But there’s honestly no reason to use email so just comment or reply.
All info courtesy of Wikipedia.
All images courtesy of Google.
All links, except if mentioned, go to a sheet music site. There’s no reason to go there, but that’s just the evidence supporting my claim that this piece is, in fact, playable. So yeah, don’t click links if you don’t want to waste your time.
Unlike some others...
Also, as here would be a GREAT time for some shameless advertising (just pray I don’t get mass-banned), subscribe to my blog in the left column, either by RSS or E-mail! A new email will be sent out every single post we make, so that your inboxes will be so full that you can’t do anything important with them!
The piccolo I’m using is tuned with lowest note D4 (one note above middle C), highest note D8 (four octaves above middle C). Measure 120/163 may seem quite fast but it is slower than arrangements of Flight of the Bumblebee, of which tempo is 184 compared to 144 for this, and still uses sixteenth-notes (around 576 notes a minute). Furthermore it is a scale so it should be able to be played pretty fast. It is a transposing instrument so a D4 is actually a D5, but the score goes down to D4.
Western concert flutes are tuned to C, lowest C4 (middle) up to approximately G7ish (but it never goes that high >_>). It doesn’t transpose (i think only contrabass and piccolo transpose, aside from Clarinet in Eb/Bb, Horn in F, Trumpet in C, etc.) Anyways, flutes are just a larger piccolo so it should be playable.
Oboe should go Bb4 to G6; this is probably the only instrument that went the entire range (C4 to G6, Bb4 noone uses :P). Most of the time it just directly copies Violin I, and it only has a sixteenth note passage once, so there shouldn’t be any problem. That has notes at approximately 416 per minute, close enough to 576 – besides, there are thirty-second notes there as well (832 per minute) and it continues for so long, yet here there’s only a short half-a-bar passage. It should be alright. God knows why I put a chord here >_>
The cor anglais/English horn is a fifth lower than the oboe, so there should be no problems either. Basically a cop of Violin II and with good reasoning too (same sound with oboe). It goes from Bb4 to G6 as well, but it’s written E4 to C6. It used to stretch to E6 so I took off the 8va, and now it goes only to G6 :D
Next are the clarinets. Eb transposes up a minor third, Bb transposes down a major second, and bass clarinet transposes an octave lower than the Bb clarinet. The range should be from E3 (obvious pun?) to G6 for bass and up to C7 for Eb and Bb. The passages should be somewhat easy to play to; unlike piccolo/flute, there are virtually no virtuoso phrases. There are 32nd notes there, and we have only 8th notes here; it’s definitely playable.
Bassoons – these are freaking soft, I can’t hear anything from them at all. It goes from Bb1 to about G4/5, but my bassoons all stay in the bass clef so it can’t go up that high. Contrabassoon transposes an octave lower, so there isn’t any major difference. There’s only one sixteenth passage, and it’s all neighbouring tones so it should be playable. Eighth notes should be easy enough. Note tempo markings (158 MM).
Horns in F should go (written) from C3 to C6. The above score has a Horn in F as well. They’re pretty soft too >_>
Trumpets in C; the first one copies the Viola while the second one is just a trumpet. :/ F#3 to C6 (C7?), so I can’t possibly bypass that range. I can’t find any music that shows how fast they can play but I’m sure they can manage.
Trombones go up to C5 (which I won’t ever reach as I’ve only composed in bass clef for these) and down to C2 (C1?). They don’t have many sixteenth notes either and this one has 302 notes/minute.
Tubas go from Eb1 to A4. I can’t possibly reach any of those. Mine doesn’t really have anything faster than eighth notes, and these go at 352 notes a minute (sixteenth notes), which is slower than 288 (eighth notes).
For Violins, they should be tuned G3-D4-A4-E5, up to A7. Violas are C3-G3-D4-A4, up to D7. Cellos tuned C2-G2-D3-A3 up to A6. Finally, the Contrabasses are written (transposing instrument) E2-A2-D3-G3, up to G4. Because there are multiple strings, particularly talented violinists should be able to play chords. Speed shouldn’t matter as there are only a few sixteenth-note passages and string players play quite fast indeed. For measures 102, 118, etc. in the contrabass, you can play the D with the A string and the F with the D string.
I originally had a pretty intensive Timpani part, but I realized; it’s really hard to play different notes on a timpani. So I completely deleted that :'( Oh well, it wasn’t very major anyways.
Next is percussion. I have ABSOLUTELY NO IDEA how this works. I used to have a ton of effects, but I realized that was impractical too; so now I’m only using Splash Cymbal, Snare Drum, Crash Cymbal, Bass Drum, and the Vibra Slap. I still have no idea how this works. Any help?
Harps can go from like, C1 to G7. They can play many chords, and should be able to play quite fast. However, I can’t really hear how fast they can go so I’ll just have to live with one unplayable part…
Finally, pianos. They go the entire range so I have no idea how I can bypass that. They’re also fast enough to not warrant an image to show. Why? BECAUSE THEY’RE THE BEST INSTRUMENT
Anyways, I’ll be adding dynamic marks (which some of you may have noticed a suspicious absence of) for a while, and then I’ll publish it.
“Look forward” to a finished version in 360 minutes~(actually, 720)!
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