I can’t tell whether this is mocking traditional shounen tests or what because why the hell do you need a test to enter a dormi-oh right she’s insane. and moe. the simpsons moe.
Having him enter a student dorm is about the laziest way to introduce more quirky characters (cause everybody else is normal/rich and rich people aren’t fun to be around) ever. The only thing worse is if some autismal savant came into the picture and trust me that was baaaaaaaaaaaddd. d d d. d.
It’s also a convenient way to shape Megumi into becoming a childhood-friend-type, but she should have friends after three years in middle school, compared to Souma, whom nobody likes. Or licks.
if god is omnipresent then
P.S. I didn’t need to see that pirate picture at the end. Nor the granny flashback. At least the metaphor was a flashback and not… what it usually is ._.
P.P.S. There was relatively less fanservice here than before. I guess the shower scene was supposed to be humorous at first but now, I really don’t understand why anybody would add one except because it’s such an ingrained anime icon. It’s really just pervasive and customary toilet humour.
P.P.P.S. Souma is secretly a GT Robo. his only energy source is the souls of dead squids. when he bleeds he bleeds black ink
What a way to start off the new year! The symbolism behind rewriting a ST&RS post for New Year’s is that at O-New, the new year’s going to bring upon us the same fate as ST&RS: a slow, painful death from neglect, disinterest, and creative stagnation!
Here’s a picture of Shirafune farting.
The timeline is still really strange in Steins;Gate. How can Rintarou get the IBN5100 if he’s already met Suzuha? Think about it:
1975: nothing happens
2010a: Rintarou doesn’t have the IBN5100
2010b: nothing happens
2012: SERN takes over world
2038: Suzuha goes to 2010b, creating Timeline 2
20XX: world at peace
1975: nothing happens
2010a: Rintarou doesn’t have the IBN5100
2010b: Suzuha goes to 1975, creating Timeline 3
2012: SERN takes over world
2038: Suzuha goes to 2010b, creating Timeline 4 (which is the same as Timeline 2)
1975: Suzuha gets the IBN5100
2010a: Rintarou has the IBN5100
2010b: nothing happens
2012: nothing happens
2038: nothing happens
20XX: world is free
The key point is that when Suzuha goes back to the past in 2010b and in 2038, her two travels make two different timelines. The line that would lead to their success is created when she travels back to 1975. There’s no reason why her travel back to 2010b takes her to the same timeline. Then again, a story about Timeline 3 would be as boring as watching paint grow on a grassy wall, so it’s forgiven.
P.S. What is Reading Steiner? If anybody stuck their memories in the time machine, they would be able to retain their memories through world lines—because it’s not their bodies travelling through time, it’s the information. If, say, Mayuri used the time machine to implant Rintarou’s future memories into herself, she’d not only travel through time, but would inherit a different identity! That would’ve been an interesting device for, say, Kokoro Connect…
Ah, competition. It’s funny because this school really isn’t about learning—just like universities. If people didn’t need degrees to get a good job, would any non-academics go to university? It’s all about the prestige of graduating—and the fewer people who graduate from your institute there are, the more prestigious their status becomes.
also it’s the only way to write a shounen manga so
The greatest part of Steins;Gate was its climax, when Rintarou did all sorts of crazy shit and it all connected back to the beginning like some bizarre circular argument typical of time-bending tales.
The greatest part of Boukan no Rebellion is its climax, when Daru did all sorts of crazy shit and it all connected back to… things.
What I’m going at is, Boukan no Rebellion focuses on Suzuha and so her most emotional moment was finding her father. Mayuri’s train of logic was executed well and there was no dearth of cheesy/teary goodbyes, so I guess it was a good scene.
That is, IF THE ART WEREN’T SO *~QUALITY~*
TWIST ENDING: I’m not saying it was aliens, but ALIENS
This cliffhanger is like a double-crossing cheat begging for one more chance after casting aside all your wishes, hopes, dreams, and desires, crying, “Just wait! You have to see this!” at the feet of its disgusted yet poisoned patrons—poisoned by the sin of curiosity, overwhelming all logic and reason by wonder at this final twist of twists, turn of turns:
just how moe will this alien be
P.S. For those who aren’t reading ST&RS: you’re missing nothing. It’s a manga about some teenagers who want to go into space. Originally, I thought there’d be tons of cool futuristic hard science space training and drama but instead, TIMESKIP TIMESKIP. Can’t blame the author for drawing a space manga for Jump of all magazines… of course it was cut. Actually wait no BLAME THE AUTHOR WHO THOUGHT THIS WAS A GOOD IDEA
itt: fanservice in my moe manga?! *grumble grumble*
the enemy’s gate is down
also there IS NO GRAVITY IN SPACE WHY DOES THEIR HAIR GRAVIT-right, centrifugal ‘force’
No images today. This is purely a promotional message.
Read Gangsta. It’s a good manga. Trust me.
The general plot: in the past, the government drugged soldiers to win a war. Their progeny suffered from genetic anomalies that increased their strength at the cost of severe birth defects and short lifespans. Four crime families semi-peacefully coexist in Ergastulum, a ghetto for the mutants’ quarantine. However, a series of mysterious massacres of mutants threaten to re-ignite the anti-mutant sentiment in the city, and chaos looms near…
That’s it. After 18 chapters, I finally understand just what is happening.
It’s going to be awesome.
TWIST ENDING: NEURONS REPRESENT UNIVERSE, ENTIRE MACROVERSE EXISTS IN MAHO
itt: 7 month timeskip. THE RACE TO CONCLUDE BEFORE THE AXE AT 39 BEGINS~
P.S. what is characterization ??????
Now, I love the scanlators (Easy Going Scans) for scanlating this manga because it’s so bloody awesome, but they really are easy going when you see things like this…
Then again, there’s hardly any competition on the manga scene, compared to the autismal levels of fagsubbing, so… quality is based on dedication to the source, not to the legions of adoring
The main selling point of Gangsta isn’t in ‘its unique world, where swords and bullets clash!’ (face it, that’s not very unique at all). Gangsta’s strength lies in its characters; each of them has unique motivations, backstories, and relationships. Most importantly, these all change throughout time, especially between Worrick and Nicolas during the flashbacks. How they befriend each other at the end is still unknown…
I’m not even sure if Worrick’s eye really is gone. Maybe he’ll pull a Kenpachi on us and reveal that his eyes have magical abilities that allow him to memorize everything it doesn’t see. Wait a minute…
Another cool thing about Gangsta are that the protagonists are grown men, like in Fate/Zero, except with less stupid motivations. They’re mature. They don’t angst around about the past; they move on, and when their past comes to haunt them back, it’s because holy shit these are really traumatic stuff that’s happening.
The only thing bad are the boob jokes, cause she’s a prostitute and yeah. Dark and edgy.
I recently finished Yoshiki Nakamura’s 1996-2002 shoujo manga Tokyo Crazy Paradise, and it got me thinking about the confines of genre tropes and standards. See, this manga (henceforth TCP) is very much a romantic comedy about highschoolers, much like any other shoujo romance series. What makes it stand out, however, are the other story aspects the series touches upon, even if they never receive full focus. The premise of the story is that in futuristic Tokyo (2020, to be exact), women are scarce and as such are often victimized, to the point that many are openly attacked in broad daylight. In addition, our protagonist ends up as the bodyguard to a mob boss, who is the primary love interest. So, with this context, let me list some of the more standout content present in TCP:
- Numerous instances of near rape
- Drug dealing
- Drugging girls on hallucinogens, then forcing them into cage deathmatches and betting on who dies first
- The love rival getting her right arm sliced off at the elbow
- Gang wars
- And an active attempt by supporting characters to get one of the protagonists to cheat on their fiancé
. . .All wrapped up with a bow of light-hearted comedy and soap-bubbly teen romance. And you thought romcoms were all the same.
AHHHHHH HIS DAD IS DED
It’s starting to get confusing now. I would write the plot out for you guys but nobody’s reading this and I don’t understand it myself; even marathoning 4 chapters (ok, that’s not a marathon) hasn’t helped. There’s that great Black Lagoon/Roanapur feel again with the four heads actually meeting, so all we can do is pray that the big bad of this arc isn’t some contrived rape survivor again… (not that I remember Black Lagoon having any of those)
TWIST ENDING: MAHO AND AMACHI IMPREGNATED WITH ASTRAL ENERGIES. LITERALLY.
OK, so NilaiTP got a direct JP -> Eng translator, so the grammar isn’t as egregious. Would’ve been interesting to DUWANG that but they’re a decent group, so I won’t. Instead, have some diabetes
ST&RS doesn’t bother explaining all this deus ex cause ~aliens~
~aliens~ do whatever
go away logic >:(
P.S. since amachi’s harnessing the power of PEOPLE’S HOPES AND DREAMS via email do I get the power of flare from blog comments. if I read books will I be like patchy and royal flare things/people/~aliens~
P.P.S. if your answer to any of the above questions was ‘no’ your a horibowl humen bean
I THOUGHT THIS WOULD BE ABOUT SUZUHA
Not Suzuha and Rintarou, not Suzuha and Kayano, but about SUZUHA’S MAGICAL ADVENTURES IN STONED HIPPIE DISCOLAND (a.k.a. the 70s). Maybe 70s Japan had fewer hippies, but the Zeitgeist is still there. IT’S THE FEELING THAT COUNTS
AND THE AUTHORS ABSOLUTELY SQUANDERED IT
Gone is the golden age of anime. Gone is the explosion of the Japanese auto industry. Gone is the unprecedented Japanese growth that pushed them into becoming the second-largest economy in the world.
What do we get as compensation? Backstory (read: rape)!
Because a free world means oppression! An oppressed world means freedom! If you oppress all the people who would oppress people, then nobody will oppress anybody! Except yourself! The joys of doublethink are myriad.
To be fair, Kayano’s arguments are pretty damn solid. Even Suzuha could only ignore the debate and focus on saving Nae. That’s why, y’know, people want world peace. And freedom. Steins;Gate provides a false dichotomy in which we must choose between the two—it’s pretty thought-provoking, but it’s nothing people haven’t done before. I’ll bet 70% of fictional dystopic utopias have an oppressed but peaceful society.
The whole rape insanity doesn’t really add anything except degrade Kayano as a character. Her ‘only believing in peace because mental breakdown’ shtick fallaciously destroys her arguments in our eyes, and we end up rooting for Suzuha to liberate the world. And disco.
Except not disco CAUSE THEY’RE NOT GOING TO THE SEVENTIES christ dig a rock