I’M A TRANSCRIBER, NOT A PERFORMER
The song here is Q&A Recital!, by Haruka Tomatsu; Tonari no Kaibutsu-kun’s first OP theme.
(Music sheets (.pdf) download link)
(MIDI file download link; what this cover would sound like if I weren’t so shit at playing)
(Makemusic Finale file download link; the only reason I said ‘Makemusic’ is because it starts with ‘m’, like all the other links do)
Sorry for the horrible quality and all those mistakes. They were the product of sleepless school-induced stress and mental delusion that I could transcribe something among mountains of homework. Two words: nope. nope. nope. (I was lying about it being two words. I also apologize in advance for my lack of capitalization.)
I’m also sorry about measure 13. The melody is in the right hand, but the chords obviously glossed it over. Then again, I think the bassline was actually more interesting than the melody so that could be a good thing orz
I could only understand ‘I’m sorry’ from hagure’s ED»
Is that what you guys see there! A KOKORO CONNECT OP piano transcription? With sheet music?!
BY MADOKA, IT IS!! Wow!!! Amazing!!!! I should really start watching the anime I’m going to blog this season now instead of transcribing random OPs! …really
Time to watch Naruto and One Piece»
Before you accuse me of depraved intentions, no, this is not a post dissecting the many features of the female form. Instead, it is a post about Hourou Musuko, femininity, masculinity, and gender roles in a society where a boy is not a boy and a girl is not a girl. Except when they are, of course. Now, you know that I can’t tackle serious issues like this, so I hope you guys will comment and actually discuss, y’know, real stuff, and not the shit I put into my posts. My newfound popularity (?) after a spectacular loss to Shameful Otaku Secret ought to promote this discussion. OUGHT TO.
That boy is actually SPINACH»